Content Insider #481 - Not Really By Miles Weston If you've been following the video streams from Rio with your VR headset on you've really gotten the feeling that you are there without spending a lot of money on flights and hotel. You're also getting the feeling of being at the center of the action and the crowd without the crowd. You'll have to forgive the enthusiasm of NBC, BBC, the Olympics committee and announcers who are telling you how great the activities are in VR. It ain't. It's pretty good 360 video they're streaming to you. Ok I'm being picky about the differences but so are a lot of filmmakers who are shooting and prepping 360 and VR films. Try both...you'll feel the difference. ...Read More »
ASSIMILATE Releases SCRATCH v8.5 Update, Supporting RED's New 8k Weapon Helium Sensor and 8k VistaVision Always at the forefront of post-production support for the latest RED digital camera formats (www.red.com), ASSIMILATE's SCRATCH 8.5, build 909, now includes support for RED's new 8K Weapon Helium Sensor, as well as the 8K Weapon VistaVision-sized Sensor (full frame). Support includes the Log3G10 gamma space and REDWideGamutRGB color space. ...Read More »
Shooting "Savior" on URSA Mini 4.6K Dillon McEvoy (DP), Mike Overton (Director) and Matt Ramey (Producer) are film students at Chapman University and just completed their Junior level Advanced Production short film." And you would be hard pressed to tell the difference in quality between their film, "Savior," and a big-budget Hollywood film. To create a high quality war film is a huge undertaking. You have to get the uniforms right. Weapons and scenery have to be accurate, and you have to combine that with action scenes, VFX, physical effects, such as blood, and making sure you get the right actors that can believably inhabit the role of soldiers. And for a student film, all on a miniscule budget that would not even pay for catering on a typical Hollywood set. ...Read More »
An Interview with Digital Video Producer and Director Edward Payson By Maureen Mo Whelan I had the pleasure of working with Edward Payson when he was directing the comedy-horror short film, Dinner with the Dwyers. He's been a working director in the entertainment industry for seven years and has directed short films, feature films, commercial spots, infomercials, webisodes and documentaries. The recent documentary he just finished is Our Friend - Jon - The Documentary about his friend who passed from Sickle Cell Anemia. ...Read More »
The Clock is Ticking An hour can fly by quickly when making a film but the team at indie production house Photon Harvest Productions is making the most of it. In their new One Hour Short Film Experiment, the Photon Harvest team is creating a series of compelling, polished short films that all have one thing in common - each part of the production and post production process was limited to an hour. An hour to write, an hour to shoot, an hour to edit, an hour to color grade, an hour to sound mix - the clock is certainly ticking away. ...Read More »
Red Giant PluralEyes 4.1 By Ko Maruyama Introducing Red Giant PluralEyes 4.1, a Free Update to the World's Best Audio/Video Syncing Tool EDIUS Pro support. A new music video workflow. Support for GoPro spanning media. Batch clip deletion and the ability to turn off automatic drift-correction. The best sync just got better. ...Read More »
ASSIMILATE Continues Fast Pace of Leading-Edge Functionality for SCRATCH Ecosystem with New SCRATCH 8.5 In its continued commitment to boost the creativity and productivity of creative professionals in digital cinema within a streamlined workflow, ASSIMILATE today announced SCRATCH 8.5, a significant update to its entire SCRATCH ecosystem. The new, real-time SCRATCH 8.5 ecosystem includes the SCRATCH 2D/3D post-production tools - dailies, conform, color grading, versioning, compositing, and finishing; SCRATCH Play for playback and review; and SCRATCH Web for cloud-based review and collaboration. ...Read More »
The City of Frederick MD's Audio Visual Department Lays the Groundwork for the Future with Blackmagic Design The City of Frederick, MD, Audio Visual Department's (AVD) mission statement is to "Deliver a complete and concise stream of information and alerts to inform and prepare residents and staff through audio visual media." As the AVD's Lead Video Producer, Lance Duvall is responsible for ensuring that the department delivers on this duty, and he knows that in order to do so, the AVD's equipment must be reliable. ...Read More »
Director JOHN PUTCH at the helm of two new shows this fall. Veteran indie and TV director JOHN PUTCH has been tapped to direct episodes of the new high profile series "APB" for FOX and "NO TOMORROW" for the CW. ...Read More »
Content Insider #474 - New Creators By Miles Weston Video distribution has evolved over the years from a couple of channels to millions of channels. It is almost as though we are rapidly transitioning into a video-only world. With billions of cameraphone users stepping forward to ensure we don't miss a moment of the world around us (especially their awesome lives) the people who make their money distributing the stuff are grabbing as much as they can, as quickly as they can just to fill their "inventory." But when the newness wears off people will again become selective as to how they spend their time and want/view content that real filmmakers know how to capture/develop/deliver - great audio, outstanding video. Folks tastes will improve. They have to! ...Read More »
Video Capture, Production Explored August 9 During M&E Day at Flash Memory Summit Catch the critical junction of video content production and storage at the Santa Clara FMS - Flash Memory Summit - August 9 ...Read More »
SCRATCH VR Creative Tools With the release of SCRATCH 8.5, ASSIMILATE also introduced the SCRATCH VR Suite. This Suite bundles SCRATCH, SCRATCH Web and a series of tools and features for a streamlined workflow for Virtual Reality 360 media - projects. Although the basic viewing of 360 media is available even in the (free) SCRATCH Play version - all the advanced edit, grade and composite tools are only available in the SCRATCH VR Suite which requires a special license. ...Read More »
SCRATCH VR Creative Tools With the release of SCRATCH 8.5, ASSIMILATE also introduced the SCRATCH VR Suite. This Suite bundles SCRATCH, SCRATCH Web and a series of tools and features for a streamlined workflow for Virtual Reality 360 media - projects. Although the basic viewing of 360 media is available even in the (free) SCRATCH Play version - all the advanced edit, grade and composite tools are only available in the SCRATCH VR Suite which requires a special license. ...Read More »
Fast, Light By Lou Wallace Today's filmmakers are always on the clock, for someone else or for themselves. The key is to capture all of your data quickly, accurately and completely. Then get that content back to the production, post production facility. Filmmaker Leslie Chilcott has found you can do it without a lot of extra hardware or gear. ...Read More »
SCRATCH VR Introduction With the release of SCRATCH 8.5, ASSIMILATE also introduced the SCRATCH VR Suite. This Suite bundles SCRATCH, SCRATCH Web and a series of tools and features for a streamlined workflow for Virtual Reality 360 media - projects. Although the basic viewing of 360 media is available even in the (free) SCRATCH Play version - all the advanced edit, grade and composite tools are only available in the SCRATCH VR Suite which requires a special license. ...Read More »
I need more storage... said everyone By Ko Maruyama It's not uncommon these days to hear about a shortage of space when saving the a selected drive or server. With files getting bigger, and more resources so readily available, storage becomes more and more important. ...Read More »
Blackmagic Pocket Camera Captures the Cinematic Moments of Heartland Heading into its 10th season, Heartland is one of Canada's most popular television series and is known for its cinematic atmosphere and backdrops. Heartland director of photography Craig Wrobleski, csc explained the production framework for the stylistic series: "We do block shoots, shooting two episodes at a time. Each block is 15 days and we are generally out for 10 of the 15 days." Each episode is shot as a mini movie, with each block having a different set of requirements. Craig explained, "Because we shoot each block as a mini movie, we really have to approach each one individually, and the camera equipment is a big part of that equation as we like to keep the camera moving and just shoot the scenes in a more cinematic way." ...Read More »
Real-time video streaming is the new craze in the business world By Paul Fitzgerald for America's Backbone Weekly Live streaming options and tips that will help grow your business. ...Read More »
Beholder Gimbal By Ko Maruyama ikan has looked at the most common cameras that photographers use and given us the Beholder Gimbal. The gimbal stabilizes the movement of your arms against the weight of your DSLR or mirrorless camera when you're shooting video. Not all cameras bodies and lenses have the same weight, so ikan has created a grid for photographers to create their own custom rig. Depending on what you shoot with, some lenses may not offer a perfect balance. The rig is small enough to take with you everywhere you want to shoot video with your DSLR. ...Read More »
Live Streaming Exorcisms Damien LeVeck knows that in Hollywood, there are two main ways to make a feature film. You can either have a great idea, sell it to a studio and risk it turning into a completely different film, or you can have a great idea, raise the money yourself, hire your own actors and crew and make your vision into a reality. When Damien decided to direct "The Cleansing Hour," a fresh spin on the exorcism genre, he knew he had to take the latter route. Six months later and more than $30,000 raised, Damien has now locked picture on the proof-of-concept short film. ...Read More »
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