Ka-boom puts Facilis TerraBlock at heart of Irish tech revolution By Zach Willis Ka-boom is one of Northern Ireland's fastest growing Production and Post Production facilities for TV and Film. Our facility boasts full Avid DS, Avid MC 8, Symphony, Final Cut and Pro Tools 5.1 Dubbing Theatre all centrally connected via 10Gb to its Facilis TerraBlock system alongside Northern Ireland's Largest ADR Stage. We work on a mixture of local and international productions and some of our credits include films such as Philomena, Monuments Men, the BBC's Panorama series, and commercials for Subway and BT and. Alongside its Post Production services, we also provide full production services with an experienced team of production staff. ...Read More »
DaVinci Resolve Helps Swordfish Mix the Old with the New As filmmaking continues to advance, it's important to invest in new technology, but also not to forget the traditional art forms and to continue to create in the original mediums. And often times, mixing the old with the new produces an even greater result. Mauricio Baiocchi, senior creative at San Francisco based motion design studio Swordfish, did just that on "Crickets Would Sing," a stop motion animated film based on short stories written by Frances Fabri. ...Read More »
SSD Speeds Project By Miles Weston Getting your big break in the music and acting industry is usually a long, hard process that requires just the right connections and a fair amount of luck. Sklyer Reed found there was another option - Indiegogo - when she met and connected with cinematographer Cullie Poseria. Together the two mapped out a strategy and plan that would help Reed reach people who were interested in helping her open the door for her singing career. Ms Poseria showed that a quality music video can be produced even with a tight time and money budget. The rest is up to the viewing/listening audience around the globe. ...Read More »
Kinefinity and ASSIMILATE Partner to Deliver KineRAW Codec and Real-time Post Production to Chinese Filmmaking Market ASSIMILATE and Kinefinity today announced they are partnering to deliver advanced digital filmmaking solutions to the high-growth Chinese marketplace. The collaboration equips Chinese filmmakers with a streamlined all-in-one, value-priced solution for 2D/3D productions, from image capture with a high-resolution Kinefinity camera (4K, 6K) to using high-performance SCRATCH tools for on-set data management and dailies, and full post production - conform, color grading, versioning, compositing, finishing, and mastering. ...Read More »
SuperMeetUp Set By Miles Weston The international SuperMeetUp is coming to San Jose, Ca in conjunction with FCPX as filmmakers and content production people meet on Apple's home turf. It will be a great educational and fun event for Final Cut Pro experts and soon to be experts. ...Read More »
Content Insider #392 - Indie Films By Miles Weston There's a lot of noise being generated and pixie dust being sprinkled around as to how cool it would be to be an independent filmmaker...free to create your own visual master that would change the world for at least a few hours. Don't kid yourself. It's a lot of work to create the film(s) you have in your mind but the efforts are definitely worth it. Whether you want to to tell your stories, educate, entertain, preserve history, inspire others or do your part to make a difference. Today the opportunities are economically available. Think about it. ...Read More »
Creative Storage Conference By Miles Weston With indie filmmaking growing in leaps and bounds because of economic, easy-to-use hardware, software, plentiful storage and a growing list of distribution options the Creative Storage Conference will highlight the needs of the expanding industry. Catch it all in Culver City, June 30. ...Read More »
Content Insider #391 - New Content Leaders By Miles Weston Almost everywhere you turned at NAB there was a booth featuring products/tools for indie filmmakers, educational sessions to cover anything/everything and a loosely connected next generation of producers, directors, filmmakers. The new tools, Internet and IPTV/OTT everywhere changed the face and infrastructure of the media & entertainment industry. Indies know that not everyone wants to watch another spin-off of CSI, NCIS and cockamamie formula police/fireman show. Great thing is the indie films don't have to be blockbusters they just have to find their group of people around the world who want to view their shows. Only people who seemed bewildered (and determined to protect their territory) at the show were the network, cable, studio bosses. Indies aren't worried...the tools are right...the overhead is right...the time is right! ...Read More »
NAB Filmmaker Announcements By Miles Weston Recognizing that the most fragile time in your filmwork is between capture and workstation production, OWC (Other World Computing) has introduced three mobile storage solutions to save and protect your video in the field (even in the most rugged environments) and get it home safely for production. ...Read More »
Premiere Clip to CreativeCloud By Ko Maruyama Your mobile device is an awesome way to start working on a small visual project because you often have it with you all the time. The great part about PremiereClip is that you can shoot, edit, and upload right from your phone or tablet. The ability to edit, do some amount of post work, and quickly share it is the HEART of PremiereClip. However, if you have a CreativeCloud subscription, you can take the project that you just edited with your finger into a more substantial NLE. ...Read More »
Quicktake: Adobe PremiereClip By Ko Maruyama Last week, I had the opportunity to put Adobe's PremiereClip through some paces. Although it wasn't a completely rigorous testing, it was enough to get a clear view of what the application was capable of, it's pros and cons, and create some mildly entertaining news pieces during the biggest broadcast event of the year. ...Read More »
Jeff Foster speaks @NABShow By Ko Maruyama Our friend Jeff Foster will be speaking at NABShow next week to talk about drones. If you know Jeff, or his work, you know that he's interested in both production and post production. He is always helpful and excited to teach people about new techniques and technologies. ...Read More »
Ollo Clip Telephoto By Ko Maruyama Back to the well. It's like potato chips: so good, you can't stop. Olloclip telephoto for iPhone 6 will keep you shooting. What started out as one lens for our production (the 4:1) has turned into more. Shooting with your iPhone 6 is so much better with great optics. The telephoto lens from OlloClip isn't just a zoom, it?s a physical lens - which means a much better picture than digital zoom. ...Read More »
Road to NAB 2015 By Ko Maruyama This year, a small team and I will be trying something completely different. Rather than relying on the heavy duty gear that we've used in the past, our production is shifting to mobile. Completely mobile. That means iPhones and iPads. It means we can deliver quickly, but the smaller gear is also more difficult to control and protect. ...Read More »
Image Engine Tames "Chappie" Renders with PipelineFX's Qube! By DMN Staff Writer Image Engine was the primary VFX facility on "Chappie", so we were tasked with all the fight sequences, hard-surface character creation, live action animation, comps and lighting jobs that Neill Blomkamp and Sony Pictures requested. Our team consisted of about 150 people working out of the Vancouver office for about a year and half. ...Read More »
Grading Martian Landscapes with DaVinci Resolve Creating a cinematic opening scene for a video game is incredibly hard to do well. You have a couple of minutes to tell a dramatic story that will capture and bring the gamer into a new world, as well as set up the background story and emotions for the countless hours of gameplay about to happen. And for game makers, the opening cinematic has to separate you from the hundreds of other games out there. ...Read More »
Content Insider #381 - Worlds Apart By Miles Weston Whether you walk through Skywalker Ranch, Pixar's facilities or backlots, studios, lofts, backrooms, bedrooms around the globe you'll find filmmakers wanting more - more budget, more freedom, more time, more experience/expertise, more of whatever the other guy/gal has and always more storage. It's the same the world over creative people simply want more and increasingly they're worrying about keeping their content for others to enjoy again and again. It's a challenge with content that starts and stays digital and increasingly it's becoming a concern...a big concern. ...Read More »
iOgrapher At Fit Expo By Ko Maruyama iOgrapher is a remarkable product that can turn your iPad or iPhone into a professional field tool for production. Last year, attendees at the National Association of Broadcasters (NAB) visited the iOgrapher booth to see the framework in action. Since then, iOgrapher has been showing up wherever people are documenting their with iOS video. This weekend, iOgrapher flexed some muscle at The Fit Expo in Los Angeles, showing up where most people are talking about healthy lifestyle options. ...Read More »
Alan Bell's Unique Editing a la Fusion Alan Edward Bell is the editor of The Hunger Games and shares with us today his highly specialized editing techniques. With an early career in a range of positions in visual effects and editing on such projects as "Duplicity," "A Few Good Men," "The Green Mile," "Water for Elephants," "The Amazing Spider-Man," and of course the more recent "The Hunger Games: Catching Fire," and "The Hunger Games: Mockingjay" Parts 1 and 2, Alan Bell explains why Fusion is a fundamental part of his very unique editing with compositing process. ...Read More »
Cinematiq Pilots Film Festivals Nationwide with AJA Ki Pros Indie filmmaker and Cinematiq Founder Aaron Owen understands the blood, sweat and tears that go into launching a film on the festival circuit. Inspired by a passion to help emerging talent, he formed Cinematiq in 2013, and brought John Crossley on board as Executive Producer. Together, the duo manages content for film festivals across America, in addition to offering transcoding, conversion, standardization and disc-based authoring services for indie filmmakers. To screen each film reliably at the highest quality, they've formulated a file-based workflow that banks on AJA Ki Pros for playback via venue projectors. ...Read More »
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