M&E Day - Aug 11 By Miles Weston We're being dazzled by brilliant 4K content from the finest in the industry - studio and independents - find out what the capture and storage trends are at M&E Day Aug 11 at FMS and do it for free. ...Read More »
M&E Day - Aug 11 By Miles Weston Consumers never see the real work that goes into making all of the content they enjoy but people in the industry know it takes a big budget- time, equipment and storage. Find out more at free M&E Day sessions at FMS Aug 11 ...Read More »
Flash Summit By Miles Weston If you want to get a good update Media & Entertainment information and education catch the action at FMS on Aug 11. It's the best, most current information you'll find right in the middle of a storage conference - great speakers, great Q&A, great expert wrap-up. Find out about all the Aug 11-13 open sessions and check out the exhibits -- http://tinyurl.com/nsdooxh sign up using the secret code - FM15MET ...Read More »
Drones Filmmaking By Miles Weston Economic, reasonably easy to fly drones combined with light, rugged 4K cameras are making it possible for studios and independent filmmakers to capture/produce films and videos that were financially out of the reach of most people. But budget also needs to include time to learn how to do it right and what is required to avoid disasters and legal action. As with any film project it only works when it's done right. ...Read More »
Content Insider #402 - 4K Play By Miles Weston 4K entertainment is real. Media people want to deliver it and consumers really want it, can understand it despite what various segment players say. But no segment can do it alone...it's an ecosystem. If the few don't want to do anything but promote excuses they can and will be left behind. There's just too many ways to capture it, produce it, ship it, view it, store it. It's time to meet the consumers' demands or wonder what in the **** happened! ...Read More »
Ka-boom puts Facilis TerraBlock at heart of Irish tech revolution By Zach Willis Ka-boom is one of Northern Ireland's fastest growing Production and Post Production facilities for TV and Film. Our facility boasts full Avid DS, Avid MC 8, Symphony, Final Cut and Pro Tools 5.1 Dubbing Theatre all centrally connected via 10Gb to its Facilis TerraBlock system alongside Northern Ireland's Largest ADR Stage. We work on a mixture of local and international productions and some of our credits include films such as Philomena, Monuments Men, the BBC's Panorama series, and commercials for Subway and BT and. Alongside its Post Production services, we also provide full production services with an experienced team of production staff. ...Read More »
DaVinci Resolve Helps Swordfish Mix the Old with the New As filmmaking continues to advance, it's important to invest in new technology, but also not to forget the traditional art forms and to continue to create in the original mediums. And often times, mixing the old with the new produces an even greater result. Mauricio Baiocchi, senior creative at San Francisco based motion design studio Swordfish, did just that on "Crickets Would Sing," a stop motion animated film based on short stories written by Frances Fabri. ...Read More »
SSD Speeds Project By Miles Weston Getting your big break in the music and acting industry is usually a long, hard process that requires just the right connections and a fair amount of luck. Sklyer Reed found there was another option - Indiegogo - when she met and connected with cinematographer Cullie Poseria. Together the two mapped out a strategy and plan that would help Reed reach people who were interested in helping her open the door for her singing career. Ms Poseria showed that a quality music video can be produced even with a tight time and money budget. The rest is up to the viewing/listening audience around the globe. ...Read More »
Kinefinity and ASSIMILATE Partner to Deliver KineRAW Codec and Real-time Post Production to Chinese Filmmaking Market ASSIMILATE and Kinefinity today announced they are partnering to deliver advanced digital filmmaking solutions to the high-growth Chinese marketplace. The collaboration equips Chinese filmmakers with a streamlined all-in-one, value-priced solution for 2D/3D productions, from image capture with a high-resolution Kinefinity camera (4K, 6K) to using high-performance SCRATCH tools for on-set data management and dailies, and full post production - conform, color grading, versioning, compositing, finishing, and mastering. ...Read More »
SuperMeetUp Set By Miles Weston The international SuperMeetUp is coming to San Jose, Ca in conjunction with FCPX as filmmakers and content production people meet on Apple's home turf. It will be a great educational and fun event for Final Cut Pro experts and soon to be experts. ...Read More »
Content Insider #392 - Indie Films By Miles Weston There's a lot of noise being generated and pixie dust being sprinkled around as to how cool it would be to be an independent filmmaker...free to create your own visual master that would change the world for at least a few hours. Don't kid yourself. It's a lot of work to create the film(s) you have in your mind but the efforts are definitely worth it. Whether you want to to tell your stories, educate, entertain, preserve history, inspire others or do your part to make a difference. Today the opportunities are economically available. Think about it. ...Read More »
Creative Storage Conference By Miles Weston With indie filmmaking growing in leaps and bounds because of economic, easy-to-use hardware, software, plentiful storage and a growing list of distribution options the Creative Storage Conference will highlight the needs of the expanding industry. Catch it all in Culver City, June 30. ...Read More »
Content Insider #391 - New Content Leaders By Miles Weston Almost everywhere you turned at NAB there was a booth featuring products/tools for indie filmmakers, educational sessions to cover anything/everything and a loosely connected next generation of producers, directors, filmmakers. The new tools, Internet and IPTV/OTT everywhere changed the face and infrastructure of the media & entertainment industry. Indies know that not everyone wants to watch another spin-off of CSI, NCIS and cockamamie formula police/fireman show. Great thing is the indie films don't have to be blockbusters they just have to find their group of people around the world who want to view their shows. Only people who seemed bewildered (and determined to protect their territory) at the show were the network, cable, studio bosses. Indies aren't worried...the tools are right...the overhead is right...the time is right! ...Read More »
NAB Filmmaker Announcements By Miles Weston Recognizing that the most fragile time in your filmwork is between capture and workstation production, OWC (Other World Computing) has introduced three mobile storage solutions to save and protect your video in the field (even in the most rugged environments) and get it home safely for production. ...Read More »
Premiere Clip to CreativeCloud By Ko Maruyama Your mobile device is an awesome way to start working on a small visual project because you often have it with you all the time. The great part about PremiereClip is that you can shoot, edit, and upload right from your phone or tablet. The ability to edit, do some amount of post work, and quickly share it is the HEART of PremiereClip. However, if you have a CreativeCloud subscription, you can take the project that you just edited with your finger into a more substantial NLE. ...Read More »
Quicktake: Adobe PremiereClip By Ko Maruyama Last week, I had the opportunity to put Adobe's PremiereClip through some paces. Although it wasn't a completely rigorous testing, it was enough to get a clear view of what the application was capable of, it's pros and cons, and create some mildly entertaining news pieces during the biggest broadcast event of the year. ...Read More »
Jeff Foster speaks @NABShow By Ko Maruyama Our friend Jeff Foster will be speaking at NABShow next week to talk about drones. If you know Jeff, or his work, you know that he's interested in both production and post production. He is always helpful and excited to teach people about new techniques and technologies. ...Read More »
Ollo Clip Telephoto By Ko Maruyama Back to the well. It's like potato chips: so good, you can't stop. Olloclip telephoto for iPhone 6 will keep you shooting. What started out as one lens for our production (the 4:1) has turned into more. Shooting with your iPhone 6 is so much better with great optics. The telephoto lens from OlloClip isn't just a zoom, it?s a physical lens - which means a much better picture than digital zoom. ...Read More »
Road to NAB 2015 By Ko Maruyama This year, a small team and I will be trying something completely different. Rather than relying on the heavy duty gear that we've used in the past, our production is shifting to mobile. Completely mobile. That means iPhones and iPads. It means we can deliver quickly, but the smaller gear is also more difficult to control and protect. ...Read More »
Image Engine Tames "Chappie" Renders with PipelineFX's Qube! By DMN Staff Writer Image Engine was the primary VFX facility on "Chappie", so we were tasked with all the fight sequences, hard-surface character creation, live action animation, comps and lighting jobs that Neill Blomkamp and Sony Pictures requested. Our team consisted of about 150 people working out of the Vancouver office for about a year and half. ...Read More »
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