SCRATCH Delivers Flawless Performance for Barend Onneweer's "Instant Dreams"
SCRATCH Delivers Flawless Performance for Barend Onneweer's
Barend Onneweer sees beauty in the perfection of the details for his digital cinema projects that include visual effects, animation, documentaries, feature films, short films, music videos, and more. In his studio, Raamw3rk (, in Gouda, The Netherlands, he has set up a SCRATCH post-production workflow that gives him flawless performance for perfecting his work. One of his recent projects, the documentary "Instant Dreams", tells the story of a group of scientists who were trying to unravel the chemical formula of the Polaroid camera. Advocates for a new Polaroid camera and former Polaroid-users eagerly await its rebirth. Each person, in their own way, tries to keep their instant dream alive. Read More

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Case Study:
Live Streaming Regional Emmy Award Gala from Multiple Locations Using TVU Increases Viewership and Member Participation
Live Streaming Regional Emmy Award Gala from Multiple Locations Using TVU Increases Viewership and Member Participation
For the past five years, video production company, Denver Media Center (DMC) has produced live coverage of the Heartland Emmy Award presentations, including pre-show edits and live direction. The Heartland Chapter of the National Academy of Television Arts & Sciences (NATAS) incorporates television markets that make up a large swatch of the expansive western U.S - Colorado, Nebraska, Kansas, Oklahoma and Wyoming. To make new shows more dynamic and reach out to its Oklahoma base, DMC wanted the live event to reflect the dual-location nature of the gala with real-time live feeds from each location. Read More
The Making of VR/360 "Expedition Antarctica"
The Making of VR/360
Neotopy includes storytellers, filmmakers and sound engineers who specialize in immersive VR/360 cinematic experiences. Their skills and talents make one of their most recent projects, "Expedition Antarctica", a breathtaking VR/360 experience of the nature and wildlife of Antarctica. Alexandre Regeffe recently discussed the development of the VR project and how Neotopy managed the VR/360 post-production process. Read More
Product Review:
Have you participated in The Void experience at the Disney locations in California and Florida? My friends have been talking non-stop about it for weeks, and it seems people are finally catching on to how immersive an experience VR can be. If you have a 360-degree camera rig, we are at the point now where what was once a neat little gimmick has become a serious contender in the quest to capture viewers. While there are applications that are just starting to introduce the ability to work with 360-degree video, Scratch VR from Assimilate just may be the best application for your next (or first) project. Read More
PixelSquid Assets' New Price
PixelSquid Assets' New Price
PixelSquid is changing its subscription model, but in a good way. While it may be true that the price per month is going up, the customizable library of options has gone up as well. For an increase of $5/month over the current subscription cost, new users are coming to PixelSquid with about 4x the options to place 3D objects in their comps. Even better - - if you're already an active subscriber, there's no price change - - and you know about the regularly growing library options. (* if you're new, you can get in on the old price before the change(below)). Read More
Project Profile:
Trick or Treat: Trick Digital Tackles Visual Effects for "Jeepers Creepers III" with Fusion Studio
Trick or Treat: Trick Digital Tackles Visual Effects for
The chills continue in "Jeepers Creepers III," the latest film in the "Jeepers Creepers" franchise. The Creeper was first introduced to audiences in 2001 when it terrorized siblings Trish and Darry Jenner. It then returned to the big screen in 2003 when it attacked a school bus full of high school basketball players and cheerleaders. Now in the third installment, "Jeepers Creepers III" shows what happened in the days between the first two movies when the Creeper was still hunting for victims. Adam Clark of Trick Digital was the film's visual effects (VFX) supervisor who was tasked with bringing the Creeper to life in the new film. Read More

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