Digital Post Production - video post production, audio post production, effects compositing

Technology: By Miles Weston

Logging Data
Getting the Most from Metadata in Post Workflow

Shooting great content is the rule by which you're measured but being able to find just the right images and segment is even more important and it needs to be fast, accurate and automated Read More

You've probably been too busy binging Netflix on all of your devices to notice but the entertainment business is becoming a real cluster! Everyone can smell money in the content and everyone wants to be the pipe/stream that delivers it to you. Some want to charge just a few bucks a month for their channel while others want to give it to you free - ok almost free. They're buying each other, jumping over each other, playing dirty tricks on each other and they all know they'll win. TV is exciting again...it's the wild, wild west. Read More

Featured News:

Assimilate Announces Scratch 9.0 - Major Update for Ultimate Performance and User-Friendly UI

With version Scratch 9.0, Assimilate announces a major update to its entire Scratch product line at NAB 2018. As its most aggressive, highest-performing, and user-friendly product update to date, Assimilate's new Scratch 9.0 delivers a big boost in efficiency and performance, saving enormous amounts of time for DITs doing dailies and for all the creative functions throughout the post-production workflow. Read More

Feature:

Discover All Hits from Any Artist with Audials Music Zoom

The meta search engine Audials Music Zoom visualizes music from 3,000,000 artists in a music universe. All musicians are shown on one global music map, based on similarity and popularity. Artists' names and images from more than 1,000 different music genres are displayed in a size corresponding to their popularity. While zooming in, you discover even more artists and bands. Move to the right or left to explore adjacent music styles. Read More

Business Issues: By Miles Weston

Content Insider #562 - Taking Chances

I'm still trying to figure out fact from wishful thinking from the HPA Tech Retreat last week in Palm Desert, CA. It's not that easy. Why? We know a lot of EPs, DPs, DITs, editors, audio, creative people who work in the visual storytelling field. They all focus on delivering "the director's intent" to the content consumer even when that director is him or herself. They see things differently. They use the best, most advanced tools available to create something they can only see in their mind(s) and let the viewer interpret the message. Sometimes they bomb. Sometimes they hit the bullseye and people just get it. Most of the time the story works well enough to make them want to do it again. Are you willing to take those types of chances? Read More

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Feature:
	Traveling Back to the 1950s with "The Marvelous Mrs. Maisel" - VFX Supervisor Lesley Robson-Foster uses an URSA Mini Pro to help turn back time